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Jordan Firstman's Debut Casts Three Creatives Who Redefine Club Kid Cool

Three creative forces step into the spotlight.

3 min read Latest from Marie Claire
Jordan Firstman's Debut Casts Three Creatives Who Redefine Club Kid Cool

There is something quietly radical about casting nightlife's real fixtures instead of auditioning for a version of them, and Jordan Firstman's *Club Kid* understands that instinctive energy cannot be manufactured. The film's breakout trio, Alaska Riley, Miss Benny, and Saturn Risin9, were not plucked from a traditional casting call; they were DM'd at 5 a.m., scouted on dance floors, and ultimately trusted to bring their own vernacular to the screen. This is the kind of creative shorthand that produces something far more magnetic than polished performance, and it reminds us that the most compelling style, whether on screen or in our own closets, comes from people who already live the world they are being asked to represent. It echoes the same quiet confidence we admire in True Whitaker on quiet glamour, holiday layers, and dressing for herself, where personal authenticity becomes the ultimate accessory.

What makes this casting feel like more than a clever marketing instinct is the way Firstman surrendered control. Riley initially shaded him on X; Saturn Risin9 forgot she was even asked until she was recovering from facial surgery and still submitted a tape with three hours to spare; Miss Benny agreed as a favor before reading the script and realizing it was genuinely good. That friction, the reluctance, the realness, the refusal to perform eagerness, is precisely what makes their on-screen friendship land. They were not polished into a single note. They were allowed to arrive as themselves, and the result is a trio of women who feel like they have main-character energy because, in their own lives, they do. This is the same intentionality we love in The Quiet Edit: Intentional Winter Style, where restraint and self-knowledge create a stronger impression than any trend.

The practical takeaway here is subtle but significant: when you stop trying to sell a version of cool and instead invite the people who already embody it, the work becomes more honest and more magnetic. Firstman wrote lines on set, let the actresses shape their wardrobe, and threw out two pages of scripted party banter because the unscripted energy was better. That is not chaos; it is trust. For anyone building a creative project, a brand, or even a personal style, the lesson is the same, your most powerful move is often to step back and let the people in the room show you who they are.

The detail worth watching is the rumored dance number. Saturn Risin9 has already warned she needs to approve the angle, and the three actresses bonded over learning choreography they were terrified to perform. If that footage ever surfaces, it will likely capture the exact unpolished, real-girl energy that made *Club Kid* work in the first place. That is the frame we are waiting for.

From Latest from Marie Claire

When Jordan Firstman wrote his directorial debut, Club Kid, he envisioned each character as rich and eccentric enough to lead their own movie. Set in N.Y.C.’s queer nightlife scene, the film—about a promoter named Peter (Firstman) who becomes responsible for a young son (Reggie Absolom) he never knew he had—is a revolving door of personalities, from a lovable, freeloading roommate to party fiends whose lexicons are made up of memes.

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